Interview: Wendy Burt-Thomas
June 24, 2009 by Lillie
My guest today is freelance writer and editor Wendy Burt-Thomas. I didn’t know Wendy until she contacted me about her blog tour for her book The Writers Digest Guide To Query Letters
(reviewed in my last post). I’ve learned she is a very talented and entertaining writer, and I know you’ll enjoy her visit here.
Lillie: Welcome to A Writer’s Words, An Editor’s Eye, Wendy. What led you to write a book on query letters?
Wendy: I’d been teaching “Breaking Into Freelance Writing” for about eight years. In the workshop, I covered a lot of what is in this book: writing query letters to get articles in magazines, to land an agent, or to get a book deal with a publisher. Since I’m a full-time freelance magazine writer and editor with two previous books, this was incredibly fun to write because it didn’t require tons of research. I was lucky enough to receive lots of great sample query letters from writers and authors that I use as “good” examples in the book. I wrote all the “bad” examples myself because I didn’t dare ask for contributions that I knew I’d be ripping apart!
Lillie: Can you tell us a little more about the book?
Wendy: In addition to the ins and outs of what makes a good query, the book covers things like why (or why not) to get an agent, where to find one and how to choose one; writing a synopsis or proposal; selling different rights to your work; other forms of correspondence; and what editors and agents look for in new writers.
Lillie: I enjoyed the book because of your entertaining writing style and humor. I didn’t expect that. How did that come about?
Wendy: It was really important to me that the book not be a dry, boring reference book, but rather an entertaining read (while still being chock full of information). I was thrilled that Writer’s Digest let me keep all the humor.
Lillie: What is the most important thing you want readers to take away from The Writer’s Digest Guide to Query Letters?
Wendy: I want them to understand that while writing a good query letter is important, it doesn’t have to be overwhelming. You can break it down into parts, learn from any first-round rejections, and read other good queries to help understand what works. I also want them to remember that writing is fun. Sometimes new writers get so caught up in the procedures that they lose their original voice in a query. Don’t bury your style under formalities and to-the-letter formatting.
Lillie: Your book is broken down into several kinds of query letters. Tell us a little about when and to whom a writer needs to send a query letter.
Wendy: The short answer is regarding when to send queries is, whenever the guidelines say to. Smaller publications may not have writers’ guidelines, or may allow you to just send the completed manuscript. As a general rule, the larger the circulation, the more likely they’ll want a query letter. There are exceptions for special sections. For example, Family Circle might not require queries for things like reader tips, short personal essays, funny kids’ stories, etc. If the guidelines don’t specify to whom you should send your query, send it to someone farther down the food chain, like an assistant editor. The top editor on the masthead probably never looks at query letters because they’re too busy managing the entire publication.
With books, you’ll also be following the agency’s or publishing house’s guidelines. Some will say “send query” or “query with synopsis,” while others will say “send first 30 pages” or “send proposal.” Choose the agent or acquisitions editor that represents your genre. Don’t assume that your query will be forwarded to the correct person.
Lillie: Why are query letters so important?:
Wendy: Breaking into the publishing world is hard enough right now. Unless you have a serious “in” of some kind, you really need a great query letter to impress an agent or acquisitions editor. Essentially, your query letter is your first impression. If they like your idea (and voice and writing style and background), they’ll either request a proposal, sample chapters, or the entire manuscript. If they don’t like your query letter, you’ve got to pitch it to another agency/publisher. Unlike a manuscript, which can be edited or reworked if an editor thinks it has promise, you only get one shot with your query. Make it count!
I see a lot of authors who spend months (or years) finishing their book, only to rush through the process of crafting a good, solid query letter. What a waste! If agents/editors turn you down based on a bad query letter, you’ve blown your chance of getting them to read your manuscript. It could be the next bestseller, but they’ll never see it. My advice is to put as much effort into your query as you did your book. If it’s not fabulous, don’t send it until it is.
Lillie: There’s an entire chapter in the book about agents. Do you think all new writers should get agents?
Wendy: Probably 99% of new writers should get an agent. There are lots of reasons, but my top three are: 1) Many of the larger publishing houses won’t even look at unagented submissions now; 2) Agents can negotiate better rights and more money on your behalf; 3) Agents know the industry trends, changes, and staff better than you ever could.
Lillie: What advice do you have for aspiring writers?
Wendy: Seize every opportunity – especially when you first start writing. I remember telling someone about a really high-paying writing gig I got and he said, “Wow. You have the best luck!” I thought, “Luck has nothing to do with it! I’ve worked hard to get where I am.” Later that week I read this great quote: “Luck is when preparation meets opportunity.” It’s absolutely true. And writing queries is only about luck in this sense. If you’re prepared with a good query and/or manuscript, when the opportunity comes along you’ll be successful.
I’ve been a mentor, coach, or editor for many writers, and I know the most common reason that good writers don’t get published is poor marketing skills. I see so many writers that are either too afraid, too uniformed, or frankly, too lazy, to market their work. They think their job is done when the write “the end” but writing is only half of the process. I’ve always told people who took my class that there are tons of great writers in the world who will never get published. I’d rather be a good writer who eats lobster than a great writer who eats hot dogs. I make a living as a writer because I spend as much time marketing as I do writing.
Lillie: What was the best thing about writing this book?
Wendy: Writing the “bad” query letters. I’ve read – and written! – so many horrible ones over the years that it was a little too easy to craft them. But misery loves company and we ALL love to read really bad query letters, right?
Lillie: I’m sure my readers will want to know more about you and your book. Do you have a blog and/or Web site?
Wendy: To learn more about me or my three books, visit www.GuideToQueryLetters.com. If you have a writing-related question, you can also post it on http://AskWendy.wordpress.com.
Lillie: Is there anything else you’d like to share that I haven’t asked?
Wendy: I think it’s encouraging for writers to know that this is actually a great time to be a freelancer. Many companies can’t afford to keep full-time writers/editors/PR creatives on staff, so they’re turning to independent contractors. In the eyes of an employer, they don’t have to pay health, dental or 401K, so even a higher hourly rate is worth it. If you’ve ever thought about becoming a full-time freelancer, this is a good climate to try it!
Lillie: Wendy, thank you for visiting. I’m sure I didn’t ask everything my readers want to know so I hope you’ll check in during the day to answer questions.
Wendy: Absolutely! I appreciate you having me here today. It’s my pleasure!
Wendy Burt-Thomas is a full-time freelance writer, editor, and copywriter with more than 1,000 published pieces. Her third book, The Writer’s Digest Guide to Query Letters, hit stores in January 2009. To learn more about Wendy or her three books, visit http://www.GuideToQueryLetters.com. If you have a writing-related question, you can also post it on http://AskWendy.wordpress.com.

























I just bought this book, great information!
Bob,
I’m curious to see how people use this book. What kind of writing do you do? Will you be using the advice for a book or magazine articles?
I can so relate to her saying that luck has little to do with things happening!
Weird how people tend to overlook the hours and horus and hours that we put into things, and then attribute our hard labor to “luck”!
Ryan,
So true. But it’s much easier to credit someone else’s success with good luck and our own lack of success to bad luck. Hard work is hard.
I think, too, that attributing someone else’s success to good luck lets you off the hook in terms of your own goals. “Oh, that person is just lucky.” How about, “Wow! That person is hard-working!”
I like that comment, Wendy. Now if we could just get people to think it and say it.
Thanks Bob!
Always nice to get testimonials like that!
I’m interested in the topic of whether or not you need an agent, as well as how to go about choosing one. And I completely agree about seizing every opportunity because I am a freelance writer myself, and you never know where one path will lead you.
C,
“You never know where one path will lead you.” What a great observation.
C McCoffee,
I really encourage people to use an agent – especially when they’re first starting in the industry. The subsidiary book rights (think ebooks, electronic excerpts, etc.) are changing so much that sometimes agents can’t even keep up with them.
I actually got my third book deal and THEN chose an agent. That’s how strongly I feel about not wanting to have to deal with researching rights, negotiating, etc.
I’d start by searching aaronline.org, which is the Association of Author Reps.
Wendy,
It’s easier to get an agent when you’ve already got an offer, isn’t it? Of course, you have to be careful and screen agents carefully—AAR is a good resource.
Oh yes, it’s definitely easier to get an agent if you already have a publisher’s acceptance. Then the agent doesn’t have to try to sell your work – just negotiate, do paperwork, etc. (Still a lot of work though!)
But I don’t advise people to try to sell directly to publishers and then try to go through agents. If you strike out with all the publishers, no agent is going to take you because they have no one left to pitch to!
Wendy,
Excellent advice. And the odds of being accepted are usually better if you use an agent. Some publishers want only agented manuscripts. Even if the publisher accepts unagented manuscripts, a good agent will know better than most writers what publishers and specifically what editors at each house would be most interested in a particular manuscript. Plus publishers like the work to be vetted by someone in the industry before they spent their time on it.
Thanks for the information. As a new writer I have no idea where to go for marketing ideas. I usually just show my friends and family. But recently I have entered my work into a contest.
earth (if you wrote YourName@Keywords, I could address you as a real person, and you would still get your keyword link),
Congratulations on taking the step to enter a contest. Good luck.
Wendy and Lillie, thank you so much for this great interview! Wendy, your enthusiasm and good nature are evident in all that you write. I am fortunate to work with many published authors on their marketing efforts. As a business writer working on my own first novel I’ve probably seen far more than I wanted to about publishing! No rose colored glasses here, I am well aware that you need a book, a marketing plan and tons of energy. It’s your book after all and you better be prepared even with a publishing deal to work to sell it!
Karen,
I don’t know why this comment went into moderation. One of the great mysteries of life.
I’m eager to read your novel so get to work on it.
And by the way, if you don’t already know this: Your agent works for you. They don’t make money (15% domestic, more on foreign rights), you don’t make money.
You have a right to “interview” agents if several want to represent you. On book #1, my coauthor and I actually asked for references and then called authors to ask how hard their agents worked for them. I’m not sure if we were dumb and brave or smart and brave…
You were smart to check agents’ references, Wendy. I signed with an agent I met at a writers conference without doing that, and all I got for two years of representation was a few rejections. He was new to the business, and his pitch was that because he didn’t have a lot of other clients, he would devote a lot of time and energy to clients as he got them. I had been turned down by several agents and had heard stories from published authors about agents who focused their attention on best-selling authors and didn’t do much for their midlist or first-time authors so his pitch resonated with me. I think he really tried, but he just wasn’t established in the industry and wasn’t any more effective than I would have been submitting to publishers.
Yep, track record is key. Although, you have to start somewhere as an agent I suppose.
But you don’t just want someone who will work hard for you, you want someone who will send you regular updates. I mean, if you don’t hear anything from your agent in six months, you’ve got to wonder if they sent your manuscript out at all!
Wendy,
I did get updates from the agent, but all the updates were rejections.
We all have to start somewhere; however, maybe an agent should start out working for someone else to learn the business and make contacts. Of course, an agency might not want to hire someone who didn’t plan to stay. A bit of dilemma, it seems.
The same thing in all careers. Employers want experience, but how do you get experience if no one will hire you?
I love good practical information. This book certainly fits into this category. Thank you.
Brian,
Yes, the book does provide practical information and does so in an entertaining way.
This is a topic I am very interested in, so I enjoyed reading through the post and your comments.
I do a great deal of writing for my own sites, but would like to find a way to bring it to a more professional level. I will certainly have to check out the book and, like Lillie, I am a fan of having a little humor mixed in…
Steve,
If you plan to do any kind of writing that requires query letters (books or articles), you will find this book very helpful.
I have a lot of friends (beginning/intermediate writers) who say, “Wendy, why don’t you become an agent and represent me?”
1. I’d never represent a friend
2. Not everyone’s work is something I’d want to represent
3. You don’t just “become” an agent! There’s a lot to learn (especially legal stuff) and I think I’ve had enough rejection for one lifetime. ; )
Wendy,
Beginning writers especially think published writers have the magic secret. If you got your own work published, surely you can do the same for theirs, especially since it’s so wonderful.
Great interview… I am trying to get my careeer as a writer going as well I am going to purchase this book..
I TOTALLY agree with her when she said luck has little to do with things happening…
its hard work and dedication meeting the right opportunity.
Mike,
Good luck with your writing career.
What strike me most is her reference to Writer’s Digest allowing her to keep the humor in her writing. As a person who loves to read, I always enjoy reading informative write-ups with humor blended effortlessly into it.
Do some publishing companies really take out the humor part of a work before they publish it? If so, that, well, [stinks].
Terry,
All publishers edit the books they publish to meet their in-house criteria. My guess is that if the house doesn’t like humor in a how-to book, they wouldn’t contract it in the first place. However, if they really liked the book except for the humor, they might contract it and edit out the humor.
I’ve heard horror stories from authors about changes made to their books that they didn’t agree with, but I think most publishers work with the authors to make sure both are happy with the final product.
There! That’s the term I was looking for.. LOL.. Thanks for the edit.
That’s really too bad for the writer. Good if the writer is not in dire need and can wait for other companies to publish the work. I guess there are some instances that the author would rather have his or her work edited just to have it published as soon as possible.
Terry,
I’m glad you approve of my edit.
Usually editing makes the book better, and most companies try to keep the author’s vision and voice. If they didn’t like it, they wouldn’t have bought the book in the first place. I imagine that if a publisher takes the humor out of a book, it’s because the humor isn’t working as well as the author thinks it is.
And “as soon as possible” is relative. It often takes from one to three years for a contracted book to be released for sale. Publishing is a long process.
Authors now have more choices. The clients I work with generally choose to publish their own books to maintain control. Unfortunately, many authors who self-publish do so because they aren’t willing to listen to advice. To be successful, authors who self-publish must get professional help in editing, cover design, layout, and other aspects of publishing.
All of us need another perspective on our writing. Editors have a saying, “I can catch everyone’s mistakes but my own.” The same thing applies in whether humor works as well as other elements of the writing. We like what we wrote, but that doesn’t always mean other people will. Publishers have experience in knowing what sells, and it is in their own best interest as well as the best interest of the author to produce a book that will sell.
So true.. After all, some people want their coffee sweet while some people like it bitter.
Publishers are still in the business because they know what coffee to serve to what group of people.
Also, I have no idea that publishing could take that long. No wonder people took up blogging, you can publish in an instant. Hehe
Terry,
Yes, blogging is instant gratification.
The long time lag in traditional publishing as well as the small percentage of books accepted by publishers also contribute to the rise of self-publishing and subsidy publishing.
Hi Terry,
I think I was surprised/happy that they felt the level of humor was appropriate, relevant….and funny. Sometimes you write something you think is clever and no one gets it, or you write something to read as light poking and it comes across as a jab in the eye.
Also, some publishers are very specific about not letting authors use humor or a first person voice at all. The book I’m updating now is like that. I can’t use “I” or “me” or anything that tickles the funnybone. Or pokes. Or jabs.
Wendy,
If you know, as you for your current book, that the publisher doesn’t permit humor, you can write the book to the publisher’s specifications. The hard thing would be if you wrote and submitted a manuscript, and the publisher accepted it but required you to get rid of the humor. Especially since your writer’s voice and your writing style for this book incorporates humor. Eliminating it would be a major rewrite.
I can see the bigger picture now. Good if the publisher loves the humor you have sprinkled into your work. But if not, then you have to adapt. And if you do so, that would only make you a better writer right?
I think as a writer, you have to be a good writer, you have to be multi-dimensional and not stay in your comfort zone only.
Now I have found a great deal more of respect for writers thanks to you and Lillie.
Terry,
Writers can’t stay in their comfort zone and succeed. Both in creating and marketing their work, they have to be proactive and flexible.
Terry,
You’re absolutely right about needing to get out of your comfort zone. My degree was not in English and everything I did to get to where I am today was because I said, “Sure, I’ll try it!” I never lied to a client. Most of the time they had more faith in me than I did! They’d say, “Hey, you’re a good article writer, can you try writing ads? How about brochures? Web copy?” You just research, write, edit, get feedback and do it better each time until you’re good at it. Then you can charge the big bucks! ; )
Wendy Burt-Thomas´s last blog ..FREE general and travel nonfiction contest
Wendy,
I’m looking forward to the day I can charge “the big bucks.”
My clients think I already do.
Interesting interview. Among the writers is well-known talents, and it is a pleasure to discover them. This is really excellent and informative post and it should be read several times.
Kaca´s last blog ..Votivo Candles for Christmas
Kaca,
Glad you enjoyed the interview.
Lillie,
Don’t you just have the nicest and most receptive readers???!!
I fear I am tainted to do any other blog tours now. ; p
Wendy
Wendy,
I am blessed with readers who are both nice and responsive. And many of them obviously enjoyed and learned from your interview.
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